Each song's eq may appear perfect by itself, however if you sequence them together, suddenly one tune sounds too bright (or too dull ...). Pointer # 1: remember that any eq changes to your stereo mix impact the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to check how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not simply to control a mix or to include character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are various philosophies regarding how one ought to approach the areas put in between songs on a record. Some feel the downbeat of one Trap Instrumentals tune ought to fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others believe you should prevent this like the plague, due to the fact that it reduces the impact. In the end, do whatever feels. There is no requirement. Cross-fade your songs if you like, or location six seconds in between them. (2-4 seconds is common in a lot of popular, non-classical records, but it's up to you.) Last suggestion: you might be inclined to master the same recordings that you blended, whether it is for financial reasons, innovative factors, or merely due to the fact that you can. But we highly recommend that you get another person to master your task. The objectivity and fresh ears they give the table usually result in a stronger, more cohesive album.
Normal locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing between songs. Or you may have ten songs mixed by three different engineers in five different studios.
Each song's eq may seem ideal by itself, but if you series them together, all of a sudden one tune sounds too brilliant (or too dull ...). Pointer # 1: keep in mind that any eq modifications to your stereo mix impact the entire mix - if you desire to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to examine how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, but also to "print" or send out as much level to the master as possible without clipping the signal.
